#26
Dinesh Kumar
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Lynbrook, NY, USA, February 23, 2023 -- An important and historic silver pitcher with impeccable provenance made by Paul Revere, the most famous of American silversmiths, sold for $129,875 in an online-only Jewelry, Porcelain, Stoneware and Indian Pottery auction held January 18th by Weiss Auctions, based in Lynwood. It was a new world record price for a silver pitcher made by Paul Revere.
The pitcher, 6 ½ inches in height, was engraved with the initials of Benjamin Russell, the American journalist and founder and editor of the newspaper the Columbian Centinel. He learned the printing trade in the printing office of Isaiah Thomas where he learned to set type. His father participated in the Boston Tea Party and his son was a ship’s captain.
Russell’s biography is impressive; more impressive is the continued ownership through the family of the Paul Revere pitcher, a wonderful artifact from the early days of the country. Both Revere and Russell were involved in the founding of the Massachusetts Charitable Mechanic Association. The pitcher weighed 17.35 troy ounces (539.6 grams).
It was a two-day auction (January 18th and 19th), which kicked off on Day 1 with 300 market fresh items, featuring jewelry, coins, porcelain, stoneware and Native American pottery. The following day, January 19th, featured over 400 lots, also fresh to the market. The session was highlighted by fine art, including paintings, posters, illustration art, cartoon art and comic art.
“Approximately 720 lots crossed the block over the two days, with strong showings in all categories,” said Philip Weiss of Weiss Auctions. “We enjoyed a huge pre-bid and live-time following, which contributed to more than $950,000 in gross sales.” Online bidding was via LiveAuctioneers.com, Invaluable.com and the Weiss Auctions website (weissauctions.com).
While the Paul Revere pitcher was the undisputed star lot of Day 1 (and the top lot of the auction overall), the first day also featured a pair of diamond rings that proved irresistible to bidders. One boasted a 2.5-carat round I-J color VS-1 diamond in platinum ring, 5.5 grams ($12,600). The other was a 1.98-carat round I-J color VS-1 diamond in platinum ring, 4.1 grams ($10,500).
The top lot of Day 2 was a wonderful, large-size oil on canvas painting by Alfred von Wierusz-Kowalkski (1849-1915), titled Bedouin Camp, 49 ½ inches by 28 inches (sight, less frame), and signed lower left ($94,875). Also, an oil on board painting by Alex Katz (b. 1927), titled Window #1, 9 ½ inches by 11 inches, artist signed upper right and with a gallery label on back ($37,950).
Three original Peanuts comic strips by Charles Schulz (American, 1922-2000) sold for a combined $94,200. They included a 10-panel Sunday strip with Snoopy and Woodstock dated 12/26/1982 ($44,400); a four-panel daily strip featuring Linus and Lucy dated 7/26/1963 ($34,800); and a four-panel daily featuring Lucy and Peppermint Patty dated 5/2/1986 ($15,000).
Original Joe Kubert comic book cover art included Rima the Jungle Girl #5 from 1974 ($13,800); Men of War #17 from 1979 ($6,000); House of Mystery #298 from 1981 ($5,100); Sgt. Rock Special #7 from 1990 ($5,400); Our Fighting Forces #181 from 1978 ($4,440); G.I. Combat #251 from 1983 ($6,600); Super-Stars #15, Sgt. Rock and the Unknown Soldier from 1977 ($9,300); G.I. Combat #146 from 1971 ($7,500); Men of War #26 from 1980 ($7,200); Our Army at War #227 from 1971 ($8,400); and Kamandi – Last Boy on Earth #41, 1975 ($8,700).
An original ink illustration by Ludwig Bemelmans (1898-1962) from Bemelman’s children’s book Madeline and the Bad Hat, titled There was Sorrowing and Pain in the Embassy in Spain, 13 inches by 16 ½ inches, signed, realized $8,100. Also, a wonderful watercolor and gouache painting by Jean Pfister (1878-1949), depicting the California coast, artist signed lower right, housed in a frame measuring 20 ½ inches by 18 inches, went to a determined bidder for $6,600.
An oil on canvas wooded landscape scene by the French artist Henri-Joseph Harpignies (1819-1916), titled Wonderful Wooded, 31 ½ inches by 39 inches (sight, less frame) and faintly signed by the artist lower left, rang up $6,300; while an acrylic on board illustration of a boy waving to a spaceship by Jeffrey Catherine Jones (1944-2011), cover illustration to The Dark Planet, signed in monogram lower left and with a sight size of 15 inches by 18 inches, earned $6,300.
Jeff Easley’s oil on board cover painting for the science fiction role playing game Gamma World – The Delta Fragment (1987), titled Dinosaur and Alien Robot, signed bottom right “Easley” and 18 inches by 18 inches minus the frame, settled at $5,700. Also, original oil cover art by Boris Vallejo (b. 1941) for the paperback book Shapechangers, by Jennifer Roberson, titled Wolf Master, signed bottom left “Boris” and 18 inches by 26 inches minus the frame, made $5,400.
Another work by Vallejo, an acrylic on board titled Shotput, used as original art from the Fantasy Olympics 1987 calendar, signed bottom left “Boris 86”, 23 inches by 26 inches (sight) went for $4,200. Also, acrylic on board illustration art by Rowena Morrill (b. 1944), titled Alien Cargo, signed bottom right “Rowena” and 16 inches by 20 inches (sight), knocked down for $4,680.
A wonderful oil on panel/wood painting by Arthur Fitzwilliam Tait (1819-1905), titled Good Friends, featuring a flock of sheep and a dog in the background, sold for $4,800. The work, measuring 23 ½ inches by 17 ½ inches (sight, less frame), was signed lower right and dated “A.F. Tait, N.A., N.Y., 1902”. On verso the painting was artist dated, titled ad signed as well.
An artwork by Pablo Picasso, titled Nude Crowning Herself with Flowers, from the Vollard Suite (1930), published in 1939, from an edition of 50, 13 inches by 17 ½ inches, fetched $4,200. Also, Andy Warhol’s Campbell’s Soup Shopping Bag, 17 inches by 24 inches, rose to $3,960.
For more information about Weiss Auctions, visit www.WeissAuctions.com. Updates are posted frequently.
About Weiss Auctions:
Weiss Auctions is always accepting quality consignments for future auctions. To consign an item, estate or a collection, you may call them at (516) 594-0731; or, you can send an e-mail to Philip Weiss at phil@weissauctions.com For more information about Weiss Auctions, visit www.WeissAuctions.com. Updates are posted frequently.
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Dinesh Kumar
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An original Paul Revere silver pitcher with impeccable provenance, a Carl F. Bucherer Manero chronoperpetual limited edition wristwatch, three Charles Schulz Peanuts comic strips and original artworks by Willem de Koonig, Alfred von Wierusz-Kowalski, Alex Katz and Ludwig Bemelmans will come up for bid online, January 18th-19th by Weiss Auctions.
The two-day estate auction, starting at 10 am both days, will kick off on Wednesday, January 18th, with 300 market fresh items, featuring jewelry, porcelain, stoneware and Indian pottery. The following day, January 19th, over 400 lots, also fresh to the market, will come up for bid, highlighted by fine art, including paintings, posters, illustration art, cartoon art and comic art.
The Day 1 star lot is the Paul Revere silver pitcher, 6 ¼ inches tall and identified to Benjamin Russell (1761-1845), an American journalist who established the Columbian Centinel and a founding member of the American Antiquarian Society (est. $60,000-$80,000). The Carl F. Bucherer Manero chronoperpetual wristwatch is #74 of 100 made (est. $30,0000-$40,000).
The first day will also feature estate jewelry and coins from the New York County Public Administrator, Native American pottery and paintings (including works by Elton Three Stars, Bemic Nelson Yellowman, Mamie Deschillie, Mateo Romero and others), and lovely bronzes (including pieces by Sir Jacob Epstein, Harriet Whitney Frishmuth and Franz Xaver Bergmann).
Day 2 will be dedicated almost entirely to fine art. In addition to the aforementioned artists, others will include Arthur Fitzwilliam Tait, Max Vityk, Pablo Picasso, Claire Klarewicz-Okser, Frank Joseph Reilly, Henri-Joseph Harpignies, Kathe Kollwitz, J. Hartung, Walter Biggs, George Braque, Peter Max, Jules Trayer, Steven Dohanos, Ken Davies and Rolph Scarlett.
The Day 2 session will also contain fine lithographs and etchings, comic covers and comic art from the Joe Kubert estate, and the three Charles Schulz original Peanuts strips, which include a 10-panel Sunday strip with Snoopy and Woodstock dated 12/26/1982 (est. $40,000-$60,000); a four-panel daily strip featuring Linus and Lucy dated 7/26/1963 (est. $35,000-$45,000); and a four-panel daily featuring Lucy and Peppermint Patty dated 5/2/1986 (est. $20,000-$30,000).
Alfred von Wierusz-Kowalski’s oil on canvas, titled Bedouin Camp, 42 inches by 28 inches, has an estimate of $30-$50,000; the oil on board by Alex Katz (b. 1927), titled Window #1, 9 ½ inches by 11 inches, should reach $20,000-$40,000; and an original pencil portrait by Willem de Kooning (1904-1997), signed and inscribed to Amick de Charme, should bring $30,000-$40,000.
An original ink illustration for the child’s book Madeline by Ludwig Bemelmans (1898-1962) is estimated to find a new home for $10,000-$15,000. Other noteworthy artworks include an oil on Masonite by Frank Joseph Reilly (1906-1967), 48 inches by 32 inches; and a monumental oil on canvas by Claire Klarewicz-Okser, titled Common Places, impressive at 65 inches by 83 inches.
Returning to Day 1, the bronzes will feature a bust of a woman with crossed hands by Sir Jacob Epstein (1880-1959), 22 inches tall; an Arab on a camel by Franz Xaver Bergmann (1861-1936); a nude woman with an arm outstretched by Harriet Whitney Frishmuth (1880-1980), 19 ½ inches tall; and an abstract sculpture by Seymour Meyer titled PALOMA, #3 of 9, 20 inches in height.
The Native American category will be headlined by Elton Three Stars’ acrylic on canvas titled Tatanka Ska; Bemic Nelson Yellowman’s acrylic on canvas measuring 14 inches by 11 inches; a mixed media depiction of a folk art elephant by Mamie Deschillie, 20 inches by 20 inches; and an acrylic on canvas painting by Mateo Romero, titled Indian Chief, 4 ½ inches by 5 ½ inches.
Beautiful and highly collectible stoneware pieces will include a 4-gallon crock by Whites (Utica, N.Y.) and a 3-gallon crock and a 2-gallon crock by Whites (Binghamton, N.Y.); a 3-gallon crock by Broughton & Co. (Fair Haven, Conn.); a 3-gallon crock by Brewer Havana; a 4-gallon crock by E. Lulley (Washington, D.C.); and a 3-gallon crock by Fulper & Bros. (Flemington, N.J.).
The estate jewelry items from the New York County Public Administrator (featured in many Weiss auctions) are a dazzling array of pieces, some of them offered in group lots. Highlights include sparkling 2.5-carat and 1.98-carat round diamond rings; a Modolo Triadra 18kt gold and diamond matching set; and group lots of estate jewelry, yellow gold, 14kt gold and gemstones.
Original comic book cover art from the Joe Kubert estate will include Men of War #17 (1979); Rima the Jungle Girl #5 (1974); House of Mystery #298 (1981); Sgt. Rock Special #7 (1990); Our Fighting Forces #181 (1978); Combat #251 (1983); Super-Stars #15 (1977); G.I. Combat #146 (1971); Men of War #26 (1980); Our Army at War #227 (1971); Kamandi – Last Boy on Earth #41 (1975); and original story page art for Batman #279 by Ernie Chan and Ted Blaisdell.
Rare vintage and antique posters will feature a travel poster by Domergue titled Carlo Flower Girl; a World War I poster titled Invest in the Victory Liberty Loan; a 1950s Philips Autoradio advertisement poster; a poster for Folies Bergere La Grande Folie by Pico; a Cycles Carmen advertising poster by Maradon; a Santa Fe Dude Ranches travel poster by Villa; and others.
Internet bidding will be provided by LiveAuctioneers.com and Invaluable.com. Phone and absentee bids will also be accepted. For more information about Weiss Auctions and the online-only estates auction scheduled for January 18th and 19th, visit www.WeissAuctions.com. Updates are posted often.
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Ulrica
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The rune in Diablo 2 Resurrected is a very important resource, and players usually get it by constantly spawning monsters. But we can also get it through synthesis. Here is a brief introduction to all the rune synthesis methods in Diablo 2 Resurrected and the materials that need to be used.
#2 to #10
To synthesize this range, you only need to put 3 same low-level runes in the box and click synthesize to get the upper rune. For example, three #6 runes can be directly synthesized into one #7 rune.
The drop probability of low-level runes below #10 is quite high. If you can't brush runes in this range in the early stage of Diablo 2 Resurrected, you can pick up more low-level runes and synthesize them directly. However, if you want to synthesize more advanced runes, using them to synthesize consumes too much, is time-consuming and laborious, so it is completely unnecessary.
#11 to #16
The rune synthesis of #11 and above cannot be directly synthesized from 3 same runes (like #2-#10)to the upper-level rune. Each synthesis requires the addition of one specific gem, and the materials for the synthesis of #11 to #16 are chipped gems of different colors.
For example, three #10 runes and 1 broken topaz can be combined into a #11 rune, the order of colors is chipped yellow, purple, blue, red, green, and white. Many of the more practical Runeword can use runes in this range, and they are also commonly used as inlays. These runes can be properly reserved, if the inventory is not particularly large, it is not recommended to synthesize upwards.
#17 to #22
The drop probability of runes in this range has begun to decrease. If you brush a lot of runes around #20, you only need to keep a part of them for spare, and it is recommended to synthesize the rest to #22 or more. It is similar to the synthesis formula of #11 to #16 runes, except that the materials that need to be used are upgraded from chipped gems to flawed gems.
For example, three #20 runes + one flawed gem can be combined into a #21 rune, and the combination of #22 and above runes (including #33 runes) only needs to consume two lower-level runes, such as two #21 runes + a flawed white gem can be synthesized into a #22 rune. The color order of gems is flawed yellow, purple, blue, red, green, and white.
The way to synthesize #33 rune in Diablo 2 Resurrected
#23 to #28
This range can be said to be an intermediate rune. For example, #24 rune (the function is to increase MF) is a more commonly used rune, #28 rune is also a very valuable rune, can be used to make "Dragon", "Fortitude" and so on.
Players who like to knock stones (RR) usually have a lot of #26 runes, so the synthesis formula of this range is also very commonly used. The synthetic material becomes regular gems, and the color order of the gems is regular yellow, purple, blue, and red, green, white. For example, two #23 runes + a square purple gem are synthesized a #24 rune.
#29 to #33
Runes larger than #28 are extremely rare advanced runes, which can be used to make some very powerful advanced Runewords. For example, the two Runewords "Enigma" and "Infinity" which are necessary for many later gameplays need to be used these high-level runes.
The synthesis formula of #29 to #33 runes is still synthesized with two runes and gems, using the flawless gems yellow, purple, blue, red, and green respectively, such as two #29 runes + one flawless purple gem synthesize a #30 rune. The drop rate of high-level runes is very low, so unless there is a specific need, it is not recommended to use the more useful #30 and #31 runes to synthesize the upper-level rune under other circumstances.
The above is the synthesis method of all runes in Diablo 2 Resurrected. Generally speaking, it is to use some low-level runes to synthesize the high-level runes we need. At Diablo 2 Resurrected, each type of low-level rune we can keep some. After all, it is very expensive to synthesize from runes below #20 to high-level runes, and it is not realistic. Interested players can calculate how many #1 runes we need to synthesize #33 runes. Players who don’t want to spend time synthesizing can directly Buy Diablo 2 Resurrected Items on MMOSO, price cheap and delivery fast.
Article from: Can #33 rune really be obtained through the synthesis in Diablo 2 Resurrected?
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Những địa điểm nào ở Ninh Thuận để du lịch vừa đẹp và nổi tiếng là câu hỏi được rất nhiều người đề cập trong quá trình đi khám phá du lịch của mình. Vậy Ninh Thuận có những địa điểm du lịch nào nổi ti... View More
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GboysLove
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Sefolosha's leg was broken by police officers during an April 2014 arrest outside a New York City nightclub. "I had nightmares. I would wake up sweating in the middle of the night," he told GQ of the incident.
Following his description of the team's group message "going nuts" after getting word of Sefolosha's arrest and injury, Korver went on to say his reaction was a lot different, compared to his teammates.
"I sort of blamed Thabo," the Utah small forward said. "I thought, 'Well if I’d been in Thabo’s shoes, out at a club late at night, the police wouldn’t have arrested me. Not unless I was doing something wrong.'"
Kyle Korver #26 of the Utah Jazz in action against the Miami Heat at American Airlines Arena on December 2, 2018 in Miami, Florida. Getty
As the Utah Jazz player continued to examine his reaction to Thabo's arrest, Korver then discussed the demographics of the NBA itself. The athlete then noted the NBA consisted of nearly 80 percent of players of color, saying "people of color have made this league into what it is today," but concluded that there's an inconsistency when the public only “tolerate” their causes.
"I believe that what’s happening to people of color in this country — right now, in 2019 — is wrong," Korver wrote. "The fact that black Americans are more than five times as likely to be incarcerated as white Americans is wrong. The fact that black Americans are more than twice as likely to live in poverty as white Americans is wrong."
He continued: "The fact that black unemployment rates nationally are double that of overall unemployment rates is wrong. The fact that black imprisonment rates for drug charges are almost six times higher nationally than white imprisonment rates for drug charges is wrong. The fact that black Americans own approximately one-tenth of the wealth that white Americans own is wrong."
"I believe it’s the responsibility of anyone on the privileged end of those inequalities to help make things right," Korver concluded.
Following the essay's publishing, Los Angeles Lakers small forward, Lebron James took to Twitter to "salute" Korver and called for people to "listen" and "just open [their] ears."
Salute my brother!! Means a lot. And like you said I hope people listen, just open your ears and listen
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